Last Sunday I walked from the City Mill in Winchester along the c17 Itchen Navigation as far as Eastleigh. Passing Wharf Hill, St Catherine’s Hill, Twyford Down, Twyford, Shawford, Bambridge and Highbridge, and many locks, hundreds of years old. This was the third stage of the walk along the length of the Itchen Way.
Nature
Weekend Walk 28 – Alresford to Winchester – The Itchen Way
I really enjoyed this walk yesterday through the Itchen Valley. Classic villages and a clear, fast river, with easy walking country. And a very unusual Victorian church in Itchen Stoke. I highly recommend the Itchen Valley to anyone.
In a new way
A seashore
Keyboards slowly, pipes
A resonant rumble
The sound of the sea with triangle jingles
The sea is replaced by deep bass, in and out, pulsing
Desolate shores, life forming
Crawling from the waters, adventuring upwards
Towards the sun and the light and the warmth
Away from the murky horrors of the sea
Onwards
It is bound to
The earth is giving birth to the animals, the human people
Energy patterns, beautiful energy patterns
Tingles, jingles and shingle on the shore of the primeval soup
The thick soup is gurgling at me
Ready to spew forth all the misery and beauty it contains
A beat kicks in
Squelchy electric pulses, gentle synths up and down
A beat on a cymbal and perhaps a hand clap
A soundscape that is removed from the soup
It is man’s time, perhaps Eden
No trouble, but a sense of adventure building
The electro squelches are back
The human is wailing gently with the torture of it all
He is living the torture
It hasn’t got him
A voice: consciousness, intelligence, technology spreading in the biology
A xylophone reminds me of China
The singing expressing the soul
Music fading to frogs, water, birds
Matter is energy
Energy + intelligence = matter that allows consciousness
Which allows technology
Which is all the same thing, from the same source
This music is more dramatic
The drum kicks harder
The percussion more regular
Echoing in and out
A distorted drum building up to something
Electronic clashes rush round my mind
Up up up
Drum fills from nowhere
The whole background seems to fade
A woman’s voice I don’t understand
Perhaps an alien
She is beautiful
Wisdom is what you are, knowledge is what you know
And insects right through my head
On an echo of the wind
Entities made of mind
Mandalay
In a new way
In a new way!
Fucking excellent
Words in the realm of the machine
Are not things heard but things seen
Conflicts
Rain like snowflakes
Conceptuality flexes and coils
Alien voices, squelches
A piece of space-coloured gold
To drill holes through
Spinning in space
Watch what we are doing
Do what we are doing
Do it now
This is our destiny
This is what our ancestors struggled to give us
Fading now
No voices, just wind
Two sounds
One deeper
And a distorted loop
An electric helicopter
We tumble back through history
History compacted
Back to a single cell
Evolutionary crossroads
Acceleration and expanding consciousness
Where is the wisdom to control this?
We are in a unique position
Simultaneous senses on five levels
The wind and a synthesiser
We have our own feelings
Despite the world coming to an end
Rhythm
Percussion
Electro bass short and squat
Bass line winds through the drum
And now the gap is raining
THUNDER
A computer from the future
There is no matter here
No rules exist
I welcome the future
Come to me
And let me be!
It is all going to change
Create community
Not imposed from above
Restrictions are self-imposed, from restrictions inherent in the system
See and understand them
A natural drum
A bird
A choir
Afro beat shuffling
Love is the law
Go into it and take a look
You may be surprised
Fire and breeze
Crackling, snapping wood
Return to the earth
The voices chanting
I am no one’s slave
I am no one’s master
I am sorry, Earth
I know what he means
Apologising on behalf of mankind
A new perspective
An English Country Lane In Summer
Weekend Walk 27 – Cheriton to Alresford – Itchen Way
After (most of) the South Downs Way and the Hangers Way, I’ve chosen the Itchen Way for my next long distance path. Yesterday we walked a short stage, from the source of the river south of Cheriton, to the southern edge of Alresford. At this stage the river is really just a shallow stream with rapid current, headed north. This is before it turns west then south in the Itchen Valley. The walk took us through Cheriton village and Tichborne Park.
“As above, so below”
In the Forest of Bere
Weekend Walk 26 – Petersfield to Queen Elizabeth County Park – Hangers Way
This morning I walked the remainder of the Hangers Way, a 21 mile path from Alton in Hampshire to the South Downs at the Q.E. Country Park. A sunny June morning, it was a hot walk and I was glad of the stiff breeze and the shaded sections. Petersfield was busier than normal. I found out this was because of the Petersfield Festival of Food & Drink (which at first I thought was just an extension of the usual market). The walk took me through the town and the mobile homes park. It’s got to be the neatest mobile homes park I’ve seen. Each garden was immaculately looked after. Then I headed south, getting a bit off track leaving the park, before picking up the Way along kind of a dyke, which lead down to Buriton. Buriton is such a sweet little village, with the pond as its main feature. I was surprised no one was there visiting. One lady in a garden, one walking her dog, that’s it. On the south edge of the village a team of Community Service workers were maintaining the cemetery. One local was stood in his doorway looking rather concerned at these tattood and stern faced men trimming hedges and strimming and repainting gates. Under the railway, then it was up onto the higher ground of the South Downs, but wooded hill here, mainly planted in the 1930s. It was busy there with hikers and cyclists, picnickers and families.
So, that’s the Hangers Way. Still two days left on the South Downs Way from last year to do, and I’ll soon tackle something like the Pilgrims Way or Staunton Way.
Lippen Walk
An hour’s walk in the country to the south, in the late afternoon sun
Countryfile Photographic Competition 2011
Here are the rules for this year’s competition. I am entering four from my year in photos.
COUNTRYFILE PHOTOGRAPHIC COMPETITION 2011
The title for the BBC Countryfile Photographic Competition 2011 is “Best In Show”. There are 12 different classes:
Farm Life
Landscapes
Birds
Working Animals
Water Worlds
Country People
Wildlife
Leisure & Pleasure
In All Weathers
Insects & Spiders
Plant Life
The Lighter Side of Country LifeThe photo the judges declare best in each class will appear in the Countryfile Calendar for 2012 sold in aid of Children In Need. The overall winner – as voted for by Countryfile viewers – will be declared “Best in Show”. The judges will also choose their favourite entry.
You can enter up to four photos in total but you must declare which class you want each photo to be judged in. Each photo can only be entered in one class. The closing date for entries is Friday 12th August 2011. The person who takes the winning photo gets to choose from a range of the latest photography equipment to the value of £1,000. The person who takes the photo the judges like best gets to choose equipment to the value of £500. Last year’s calendar raised almost £1.2m for Children In Need. Please read the rules before entering.COUNTRYFILE PHOTOGRAPHIC COMPETITION 2011: RULES
1. The title of the BBC Countryfile Photographic Competition 2011 is “Best In Show”. There are 12 different classes you can enter photos in. They are: Farm Life, Landscapes, Birds, Working Animals, Water Worlds, Country People, Wildlife, Leisure & Pleasure, In All Weathers, Insects & Spiders, Plant life, The Lighter Side of Country Life. The theme of each class is open to individual interpretation but entries must have the countryside or the natural world at their heart. Photos of domestic animals (ie pets), zoo animals and cultivated plants are not eligible. Images of British wildlife in captivity must be declared as such. The BBC’s decision as to the eligibility of individual photographs will be final and no correspondence will be entered into.
2. Photographs entered must be taken in the UK, the Channel Islands or the Isle of Man.
3. Entrants can submit up to four photos in total as prints, in colour or black and white. Entrants must state which class each photo is to be judged in. Each photo can only be entered in one class. Electronic images cannot be accepted.
4. Images may be digitally enhanced to remove spots or scratches, but not manipulated. Entrants can enhance the picture to make it brighter, clearer etc, but not manipulate the content. BBC Countryfile and the judges reserve the right to exclude any image they believe may have been excessively treated so as to alter its authenticity.
5. The competition is open to UK residents only (including residents of the Channel Islands and Isle of Man). Employees of BBC Worldwide or the BBC, as well as their immediate families are not eligible to enter. Entrants under the age of 12 years need to have parent or guardian consent to enter.
6. Entrants must not be professional photographers and, for the purposes of this competition, a professional photographer will be considered to be someone who makes more than half their annual income from the sale of their photographs.
7. Entrants must mark each photo with their name, address, contact telephone number (both daytime and evening) and which class it is being entered for.
8. The BBC will only ever use personal details for the purposes of administering the scheme. Please see the BBC’s Privacy Policy: http://www.bbc.co.uk/privacy
9. Entries should be sent to: Countryfile Photographic Competition 2011, BBC, The Mailbox, Birmingham, B1 1RF.
10 The competition closes at midnight on Friday 12th August 2011. Entries received after this date will not be considered.
The BBC cannot accept any responsibility for any problem with the postal service which may result in any entry being lost or delayed. Proof of sending is not proof of receipt.
Entries will not be returned so please remember to keep a copy. Unsuccessful entrants will not be contacted and no feedback on any entry will be provided.
11. All photographs will be judged on the following criteria:
Composition
Technical ability
Originality
Commercial appeal
12. The photographs will be judged through the following process:
Stage One
A judging panel comprised of previous finalists of the Countryfile photographic competition will review all entries and select a long-list of approximately 3,600 photographs, based on the above criteria. The long- list will comprise a maximum of 300 photographs in each class.
Stage Two
A second panel of judges will then review all the entries on the long-list and select the best photo in each of the 12 classes based on the above criteria. The panel will also select their overall favourite.
Each of the shortlisted entrants will be contacted by a member of the BBC production team within a week of judging which is scheduled for Wednesday 17th August 2011.
If after reasonable attempts a shortlisted entrant cannot be contacted, the BBC reserves the right to offer the place on the shortlist to the next best entry.
Stage Three – The Public Vote
All 12 finalists (“Best In Class”) will be featured on the ‘Countryfile’ programme on BBC1 and the audience will be asked to vote for their favourite. The winner will be the entry which receives the most votes in a telephone vote. It will be declared “Best In Show” and is the overall winner of the competition.
13. The prize will consist of £1,000 worth of photography vouchers from an outlet selected by the winner. The entry selected as the overall favourite by the judges will also receive £500 worth of photography vouchers from an outlet selected by the entrant. The prizes are as stated and cannot be deferred or transferred. There will be no cash alternatives.
14 The finalists (together with a further fourteen photographs to be selected from the entrants by the judges and/or the BBC) shall appear in the Countryfile Calendar 2012, to be sold in aid of the BBC Children in Need Appeal and the Finalists may also be published in the BBC Countryfile Magazine.
15. In the event of a technical problem or evidence of impropriety with regard to the viewers’ vote, the judges shall have the final decision. If the viewers’ vote results in a tie, the judges shall have the casting vote. The judges’ decisions will be final and no correspondence can be entered into.
16. All entries must be the original work of the entrant and must not infringe the rights of any other party. The entrants must be the sole owner of copyright in all photographs entered and must have obtained permission of any people featured in the entries or their parents/guardians if children under 16 are featured. Further, entrants must not have breached any laws when taking their photographs.
17. Prior to submission, entrants must not have offered any of their entries for sale, been paid for any publication of any of their entries or won or been a runner up in any other photographic competition with any of their entries.
18. Entrants will retain copyright in the photographs that they submit to the BBC. By entering the competition all entrants grant to the BBC the right to publish and exhibit their photographs on television and on the BBC’s website. Entrants whose photographs are one of the finalists or selected
to appear in the Countryfile Calendar 2012 pursuant to paragraph 11 above grant to the BBC (including BBC Worldwide and other publishers authorised by the BBC) the further rights to publish and exhibit their photographs in print, on their respective websites or in any other media. No fees will be payable for any of the above uses. Entrants whose photographs are one of the finalists also agree to take part in post- competition publicity. While we make every effort to credit photographers, including in printed reproductions of their work, we cannot guarantee that every broadcast use of the photographs will include the photographers’ names.
19. By entering, entrants will be deemed to have agreed to be bound by these rules and the BBC reserves the right to exclude any entry from the competition at any time and in its absolute discretion if the BBC has reason to believe that an entrant has breached these rules.
20. The BBC reserves the right to cancel this competition or alter any of the rules at any stage, if deemed necessary in its opinion, and if circumstances arise outside of its control.
21. If the winner is unable to be contacted after reasonable attempts have been made; the BBC reserves the right to either offer the prize to a runner up, or to re-offer the prize in any future competition.
22. These rules are governed by the laws of England and Wales. This competition is administered by the BBC.
23. The BBC’s code of conduct for competitions applies to this competition. You can read more about it here: http://www.bbc.co.uk/guidelines/editorialguidelines/advice/interactivity/co de
Please take your photos responsibly. Here’s some information that should help:
http://www.naturalengland.org.uk/ourwork/regulation/wildlife/licences/appexamp les.aspx (see photography section)
http://www.naturalengland.org.uk/ourwork/enjoying/countrysidecode/default.asp x
http://www.rpsnaturegroup.com (see code of practice)
Good luck!
More spring wonderment
Around Brockwood this evening:
Among the beeches
Maybe 200 years ago, an owner of Brockwood Park planted beeches surrounding the estate and in avenues along the lanes. Many of these survive today, often creating delightful tree tunnels.
The Peacock and the Chickens
Here’s a video I made of the mating and courtship ritual and display of the Brockwood peacock. He spends a lot of time with the hens. Unfortunately they are not peahens but chicken hens, so they are not very interested, despite his best efforts. And his best efforts really are spectacular, with his huge feather display, the shaking and the lunging. He’s almost as impressive viewed from the back. This palaver carries on for more than twenty minutes at a time. Some peahens came over a few weeks ago from a farm half a mile away but they didn’t stick around. Maybe he got lucky that time…
Here’s how it’s supposed to go:
Spring Sexiness
Around the Brockwood Park this evening
Brockwood Bluebells and Other Beauties
Rape, Shoot and Leave(s)
Images from around Cheesefoot Head and Alton & Four Marks Archery Club today:
Elderly Animals
The internet has stacks of cute pictures and videos of young animals. Perhaps more interesting, and certainly rarer, are pictures of animals nearing the end of their time on earth.
Photographs by Isa Leshko. Eight more here.
Spring Flowers
Accelerated Spring
Dawn Patrol
I woke at 5, then after the birds began just after first light, out into the still morning air. All looked a little eerie in the grey.
The school, pre-dawn:
To where? I wasn’t sure at this stage.
Something coming:
Red sky in the morning, shepherd’s warning:
Woodcote Park to Bramdean Common:
Bluebells at dawn:


































































































































